Berklee Blogs

First-hand accounts of the Berklee experience

Tag: music (Page 1 of 26)

music

Friday Night Classical ft. Berklee Indian Ensemble

September 27th. 8:00pm. Boston Conservatory at Berklee. You had to be there to experience the music in all its glory. The sold-out performance aptly titled “Which Classical Music?” was directed by Markus Placci and was a celebration of chamber music, performed by acclaimed Boston Conservatory at Berklee faculty members and renowned guest artists from around the world. 

The term “classical music” has far deeper global connotations than what a google search for the term might suggest and it was there for the audience to see in a night filled with dazzling performances, including our very own Berklee Indian Ensemble. Markus Placci came up with the idea while he was visiting India and realized that his idea of Classical Music was vastly different from the people around him. It dawned on him that every part of the world has their own idea of classical music which isn’t restricted to the purely western idea of it. He goes on to say “My hope with the program was to show that there is such a history in the development of any music anywhere in the world, that for any of them, there is a “classical” portion of that development.”

What made it even more special was that it was a first for Carnatic music to be performed at the Boston Conservatory. For those of you who might not be familiar with Carnatic music, it’s a form of Indian Classical Music originating from South India with the main emphasis being on melodic soloists. Let’s not forget that Carnatic music is only half of what Indian Classical music has to offer and the hope is to cover Hindustani music which comes from North India in a future series. 

The goal, as suggested by two veteran Indian Ensemble students, Shradha Ganesh and Ganesh Balasubramanian, who performed Raju Vedale and Idhudhaano Thillai Sthalam respectively, was to “inform the audience of something new, to understand the musicality of the pieces performed and to see how the audience will react.” 

As Mr. Placci eloquently put it, “I believe that music is such a primordial and essential need for human beings, that I wanted to emphasize its inevitable presence and history alongside the development of human beings anywhere in the world.” Judging from the audience’s response, it is safe to say that they achieved what they set out to do, and then some!

by Prithvi Prajosh

Here’s What I’ve Learned

I have one week left. The nostalgia is already kicking in. Here’s one last post!

Although I did something literally every single day, all summer, I still know there is so much more to do in Los Angeles. Here, I felt like a tiny fish in a massive ocean, with endless opportunities and experiences to discover. I’m truly looking forward to my future career, and my experiences here have affirmed my hope that I will be successful in following my dreams.

Friday fun at Tunecore!! I wanted to get everyone in the office, but some of them snuck out before Katie got out her selfie stick..

Friday fun at Tunecore!! I wanted to get everyone in the office, but some of them snuck out before Katie got out her selfie stick..

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Big Questions, Big Ideas: Being a Fellow for the Open Music Initiative

small snare innovationRecently, BerkleeICE completed a summer lab that tried to help foster the creation of a new service/project/business that will be beneficial to creating an open source for the identification of music rights.

The summer lab was under the banner of the Open Music Initiative— a leading group of people from creators, to technologists, to entrepreneurs, and music industry experts that are driven and devoted to promoting the development of open source standards in the music industry.

IDEO, A global design company that helps public and private companies with their innovation and growth, guided the technical platform for the project. For the last few months, OMI hosted gatherings and labs. Some of the launch gatherings include one on June 22 in New York City with all OMI participants. One of the events included a three-week innovation lab in Boston, run by BerkleeICE with guidance from IDEO, which involved choosing participates from current students and recent graduates create models and explore the project deeper.

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So Much to Say, So Much to Learn

 Hey everyone,

Time is moving so quickly here. It’s crazy. I feel like there is so much more to learn! I mean, there is obviously so much more to learn, but it’s more that I don’t want to leave LA before I learn it! There are moments where I feel like the task I’m doing may not be teaching me anything, but then I get home, and I have so many thoughts and questions. My mind is racing constantly. Maybe it’s just me that’s crazy… hm. 

One of my bosses, Lucas Vidal, wrote the score for Fast & Furious 6, The Quiet Ones, Nobody Wants the Night, The Raven, and more!

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My First Month Interning in Los Angeles

Hey everyone,

The picture above is me sitting in my office, on the phone with an important client. Just kidding. My supervisor and I thought it would be funny to start off my posts with a joke. I work in a cubicle, and don’t talk to clients. But hey, I still have two months left here 😉

I’m Christina, and I’m about to enter my last two semesters of school at Berklee. Crazy how time flies. Up until now, I was double majoring in Music Business & Film Scoring. Starting in the fall, I’ll officially be switched over to Music Business & Pro Music (focusing on film scoring and composition). I made the switch because while I love film scoring, and movie scores – they are one of the main reasons I decided to pursue music in college – I’ve learned a lot about myself in the last year. I’ve realized that I am not the type to be able to sit alone and write. I wish I was, but I am stimulated and excited by leading projects with a lot of moving parts and people. I love planning, coordinating and networking. Which is why I’m hoping to find my place in the film industry, but from a more behind the scenes role. 

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